Photo of Geraldine Morris
  • 116 Lawrence building

20012019

Research output per year

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Personal profile

Biography

I danced with The Royal Ballet from 1963 to 1971 and worked with some of the 20th century's foremost ballet choreographers, including Frederick Ashton, Bronislava Nijinska and Kenneth MacMillan. Subsequently entering higher education I achieved a PhD in 2000 focusing on the dance movement style of Frederick Ashton.

I  have also written several substantial articles including one on ballet competitions, in which I consider whether the dancing, as performed in the competition, is merely judged for its technical content in contrast to its artistic elements; if the former is the case, the dancing is not judged as art but only for its biomechanical content. I published a book on Ashton's choreographic style: Frederick Ashton's Ballets: Style, Performance, Choreography in 2012.

More recentlyt published a chapter on Frederick Ashton's The Dream. This was published in Germany in   Shakespeare and Music and in 2017 I editied, together with Larraine Nicholas, the 2nd edition of Rethinking Dance History

Qualifications

Dancer with The Royal Ballet 1963-1971
BA degree (Honours) in Humanities Open University
MA degree University of Surrey
PhD University of Surrey at Roehampton

Research interests

Geraldine's main research interests are in ballet, in particular dealing with the philosophical issues of identity and style. Other areas include training and its relationhsip to choreographed dance, as well as the contribution of other, plastic artists to dance. Currently, she is working on a book which takes the Sadler's Wells/Royal Ballet School as its starting point, using it to explore the perception of ballet in 1950s and 1960s England. This has prompted her to explore such divers fields as children's balle fiction and the representation of ballet in the films of the 1950s.

Professional affiliations

Geraldine was a Member of the officers panel of Dance Research and also sat as a member of the board of Sidelines which is part of Research in Dance Education.

She was also a board member of the charity wing of Akram Khan's company AKCT.

Consultancy work

Examining Experience
I examine both BA and MA dissertations, essays and practical work and I have also marked both MAs and PhDs for external universities.

External examiner for the Royal Academy of Dance on the Professional Dancers Teaching Course during 2005 and 2006 and external examiner for several PhDs. External examiner for BA diploma in dance at Truro College Plymouth University

External examiner for the Open University for Ballet West.

Consustancy

Advising the Royal Opera House on their 75th Anniversary programme.

For the 2004-5 season, I lectured on 'The Ashton Exchange', the first academic series in dance to be held at the Royal Opera House and I have written programme notes for both the Royal Ballet and Birmingham Royal Ballet.

I also worked in conjunction with English National Ballet and the V&A on the Ballets Russes days at the V&A.

I write programme notes for the Royal Opera House on two of Frederick Ashton's ballets: Les patineurs (pub Decmeber 2018 and January 2019 and for A Month in the Country (pub June 2019)

I was the consultant and took part in a Film dealing with the work of Bob Fosse.  This will be shown on Sky Arts in the Spring 2019

Teaching

I teach on both the BA and MA courses mainly in the areas of history, analysis and philosophical/theoretical issues, though from time to time, I also teach some practical repertory sessions. I tutor dissertations for both the BA and MA and also have a significant number of PhD students.

Subject Area
My specific expertise is in ballet though I also deal with other dance genres. In particular, I am a specialist in choreographic analysis and on the relationship between technique and style. Issues of identity and authenticity are also areas that I am particularly interested in. In the book that I have just completed, these two areas are discussed in some detail in the first chapter.

Links

External positions

External examiner, Ballet West accredited by the Open University

1 Sep 201831 Jul 2022

Research Output

Is it a Petipa Dance We are Watching

Morris, G., 2019, University of Madrid. Spain, p. tbc 12 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Is this a Petipa dance we are watching

Morris, G., 17 Aug 2019, (Accepted/In press) In : Dance Research. 17 p.

Research output: Contribution to journalArticle

Open Access
File

Robert Helpmann: The Many Faces of a Theatrical Dynamo: Robert Helpmann: Chameleon of the Screen

Morris, G., 17 Oct 2018, Morris G (2018) Robert Helpmann: The Many Faces of a Theatrical Dynamo, Alton, Dance Books: Robert Helpmann: Chameleon of the Screen. Allen Cave, R. & Meadmore, A. (eds.). Alton: Dance Books, p. 184-194 10 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Giselle and the Gothic: Contesting the Romantic Idealisation of the Woman

Morris, G., 21 Jun 2017, Rethinking Dance History. L. N. & Morris, G. (eds.). 2n edition ed. London: Routledge: Taylor & Francis Group, 19

Research output: Chapter in Book/Report/Conference proceedingChapter

Rethinking Dance History 2nd edition

Morris, G. (ed.) & Nicholas, L., Jul 2017, (Accepted/In press) 2nd edition ed. London: Routledge: Taylor & Francis Group.

Research output: Book/ReportAnthology

Activities

  • 6 Publication peer-review
  • 4 Consultancy
  • 1 Participation in conference
  • 1 Other

Dance Research Journal (Journal)

Geraldine Morris (Peer reviewer)
2019 → …

Activity: Publication peer-review and editorial workPublication peer-review

Times for Change:

Geraldine Morris (Invited speaker)
30 Nov 2019

Activity: Participating in or organising an eventParticipation in conference

Peer reviewing book for the Oxford University Press

Geraldine Morris (Consultant)
1 Mar 201916 Apr 2019

Activity: Consultancy

Peer reviewing a book for Anthem Press

Geraldine Morris (Consultant)
Nov 2018

Activity: Consultancy

Judge on Panel for Dance Chronicle

Geraldine Morris (Consultant)
10 Sep 20175 Dec 2017

Activity: Consultancy

Thesis

File

Narrative Aspects of Kenneth MacMillan’s Ballet The Invitation

Author: de Lucas Olmos, M. C., 13 Feb 2017

Supervisor: Morris, G. (Supervisor), Hammond, H. (Supervisor) & Jordan, S. (Supervisor)

Student thesis: Doctoral Thesis

The Baroque in Jiří Kylián

Author: Vaghi, K., 5 May 2016

Supervisor: Morris, G. (Supervisor) & Pakes, A. (Supervisor)

Student thesis: Doctoral Thesis

File