Department of Dance

Visiting address
113 Lawrence, Froebel
Contact

Phone: +44 (0)20 8392 3346

Biography

I gained my BA (Hons) from Rambert School and danced professionally in ballet and contemporary companies in Europe, as well as on TV and in film. Sustaining an injury, I looked to other ways of being involved in dance and turned to teaching and academia. I have a PhD in Dance Anthropology (Dist.) from the University of Roehampton. I have taught at Central School of Ballet and currently teach Contextual Studies at Rambert School.

An avid social dancer, I can be found dancing, teaching and choreographing swing dances (lindy hop, balboa and collegiate shag) around the world.

Research interests

I have interests in ballet is many facets; in its aesthetic and history, technical and biomechanical enquiries, and in issues concerning ballet (or dance more broadly) institutions and training, as well as how ballet is taught and performed cross culturally (with a particular concern with China). An interest in the sociology and anthropology of dance, and the use of ethnographic methods to explore all dances (theatrical, folk, social, urban etc.) within a cultural context, in 'the body', gender issues in dance, and the relationships of dance to social and political ideas and the interplay of power relations (Foucault, Bourdieu). In addition to ballet and contemporary dance, I also practices authentic jazz (jazz roots) dances; partnered and solo, from the early ragtime era to the 1950s, and am interested in the collaboration of lead/follow improvised dancing.

Research projects

My PhD research examined ballet as a relatively new genre in the People's Republic of China, exposing ideologies central to ballet itself, and those unique to its new Chinese situation. Under Chairman Mao's guideline, 'Make the Past Serve the Present and Foreign Things Serve China' (1956), ballet in China was reformed. 'Propaganda ballets' were staged, incorporating elements from Chinese classical dance and Beijing Opera, and Chinese terminology issued for the technique (Glasstone, 2007). Ballet in China has been radically altered in light of its cultural situation, providing an excellent space for examining how ballet is mediated through culture. The project creates ethnographies of balletic bodies, explore these bodies as carriers of symbolic value and investigate how ballet as both initially an 'alien' genre and, more recently, an indigenous culture, impacts on other dance practices in China, such as Chinese classical dance (Zhongguo gudianwu).

 
Awards
  • 2016 - AHRC International Placement - Shanghai Theatre Academy
  • 2015 - UCC London Award - Beijing Fieldwork
  • 2015 - Santander Travel and Mobility Award
  • 2013 - British Council & Manchester University - East China Normal University, Shanghai
  • 2005 - Rambert School Scholarship

Teaching

  • Ballet (practice and theory)
  • Sociology of dance
  • Anthropology of dance
  • Popular, social and urban dance

Research outputs

  1. 'Not another Don Quixote" Negotiating China's position on the international ballet stage

    Research output: Chapter in Book/Report/Conference proceedingChapter

  2. Socialist Body Aesthetics in Chinese Ballet 1949 - Present

    Research output: Contribution to conferencePaper

View all (4) »

Prizes

  1. HuaYu Enrichment Scholarship

    Prize: Fellowship awarded competitively

  2. Santander Travel and Mobility Award

    Prize: Prize (including medals and awards)

  3. Universities’ China Committee in London

    Prize: Prize (including medals and awards)

View all (4) »

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