Abstract
A first-ever attempt to define a poetics of the editing arts, which proposes a materialist poetics informed by debates about a ‘new materialism’. The book’s premise is that editing, like other forms of making, is mostly invisible and can only be brought into full view through a comparative analysis that includes the insights of practitioners. It proposes a new field of editing studies, in which the ‘ideal editor’ can be understood as part of the relationship with the long-theorised author and reader. While the traditional perception of editing is as the imposition of closure, this work shows how it can work as a dynamic process with a sense of the possible.
Original language | English |
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Place of Publication | Basingstoke |
Publisher | Palgrave Macmillan |
Number of pages | 265 |
ISBN (Electronic) | 978-3-319-92246-1 |
ISBN (Print) | 978-3-319-92245-4, 978-3-030-06392-4 |
DOIs | |
Publication status | Published - 13 Sept 2018 |
Keywords
- editing
- publishing
- poetics
- literary theory
- book history
- information studies
- Communication
- digital humanities
Profiles
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Susan Greenberg
- Centre for Equality, Justice and Social Change - Honorary Research Fellow
- School of Arts, Humanities, and Social Sciences
Person