A snap, a bridge, the dress and the fold: Issey Miyake’s ‘one piece of cloth’ and William Forsythe’s dance structures in The Loss of Small Detail

Tamara Tomic-Vajagic

A snap, a bridge, the dress and the fold: Issey Miyake’s ‘one piece of cloth’ and William Forsythe’s dance structures in The Loss of Small Detail

Centre for Research in Arts and Creative Exchange

Research output: Contribution to conference › Paper

Abstract

International conference
2018 annual symposium of the Gesellschaft für Tanzforschung,
Karlsruhe, Germany
Karlsruhe Institute of Technology (KIT)

Original language	English
Publication status	Published - 6 Oct 2018

1 Chapter

Shape-shifters and Colombe’s folds: Issey Miyake’s ‘one piece of cloth’ and balletic topologies in William Forsythe’s The Loss of Small Detail
Tomic-Vajagic, T., Apr 2021, Oxford Handbook of Contemporary Ballet. Farrugia-Kriel, K. & Nunes, J. (eds.). Oxford University Press, p. 438-456 19 p. (The Oxford Handbook of Contemporary Ballet).
Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

Cite this

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abstract = "International conference2018 annual symposium of the Gesellschaft f{\"u}r Tanzforschung, Karlsruhe, GermanyKarlsruhe Institute of Technology (KIT)",

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N2 - International conference2018 annual symposium of the Gesellschaft für Tanzforschung, Karlsruhe, GermanyKarlsruhe Institute of Technology (KIT)

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A snap, a bridge, the dress and the fold: Issey Miyake’s ‘one piece of cloth’ and William Forsythe’s dance structures in The Loss of Small Detail

Abstract

Research output

Shape-shifters and Colombe’s folds: Issey Miyake’s ‘one piece of cloth’ and balletic topologies in William Forsythe’s The Loss of Small Detail

Cite this