Abstract
My paper focuses on the use of images of Catholic devotional objects (rosarybeads, Sacred Heart painting) to communicate the identity of the working-class Irish emigrant in the photographic novel I Could Read the Sky (O?Grady \& Pyke, 1997). I will focus on how the novel attempts to communicate a collective ?cultural memory? of Irish emigrant identity to second or third generation Irish readers of the novel, as well as nuancing stereotypical images of Irish identity already contained in the ?cultural imaginaries of a wider readership. Accordingly, my paper will tease out some of the distinguishing characteristics of the concepts of ?cultural memory? and cultural imaginary in order to highlight elements of continuity and discontinuity.
Original language | English |
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Title of host publication | Religion in Cultural Imaginary : |
Subtitle of host publication | Explorations in Visual and Material Practices |
Publisher | Nomos Verlagsgesellschaft |
Pages | 229-252 |
Publication status | Published - Jul 2015 |