Abstract
This introduction to the special issue on Uruguayan cinema outlines the unifying thematic (of exploring contemporary Uruguayan cinemas) and the manner of explo- ration (from outside the country looking in, and, from inside looking out – a ‘herme- neutic circle’). It also situates the issue with respect to the field of scholarly work on Uruguayan cinema (exploring reasons behind the relative lack of scholarly interest in Uruguayan filmmaking), and Latin American cinema more broadly, before briefly discussing the articles in turn.
© 2019, The Author(s), published by Ingenta. The attached document (embargoed until 01/03/2020) is an author produced version of a paper published in STUDIES IN SPANISH AND LATIN AMERICAN CINEMAS uploaded in accordance with the publisher’s self- archiving policy. The final published version (version of record) is available online at the link below. Some minor differences between this version and the final published version may remain. We suggest you refer to the final published version should you wish to cite from it.
© 2019, The Author(s), published by Ingenta. The attached document (embargoed until 01/03/2020) is an author produced version of a paper published in STUDIES IN SPANISH AND LATIN AMERICAN CINEMAS uploaded in accordance with the publisher’s self- archiving policy. The final published version (version of record) is available online at the link below. Some minor differences between this version and the final published version may remain. We suggest you refer to the final published version should you wish to cite from it.
| Original language | English |
|---|---|
| Pages (from-to) | 3 |
| Number of pages | 24 |
| Journal | Studies in Spanish and Latin American Cinemas |
| Volume | 16 |
| Issue number | 1 |
| DOIs | |
| Publication status | Published - 1 Mar 2019 |
Keywords
- Uruguayan cinema
- national cinema
- world cinema
- Latin American cinema
- hermeneutic circle
- International Film Festival Circuit
- auto-erasure