From the flower to madness: the ontology of the actor in the work of Suzuki Tadashi

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Abstract

© 2016, Informa UK Limited, trading as Taylor & Francis Group. This is an author produced version of a paper published in THEATRE, DANCE AND PERFORMANCE TRAINING uploaded in accordance with the publisher’s self- archiving policy. The final published version (version of record) is available online at the link below. Some minor differences between this version and the final published version may remain. We suggest you refer to the final published version should you wish to cite from it.
Original languageEnglish
Pages (from-to)362-374
JournalTheatre, Dance and Performance Training
Volume7
Issue number3
Early online date31 Oct 2016
DOIs
Publication statusPublished - 2016

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