From the flower to madness: the ontology of the actor in the work of Suzuki Tadashi

Glenn Odom

doi:10.1080/19443927.2016.1217264

From the flower to madness: the ontology of the actor in the work of Suzuki Tadashi

Glenn Odom

Centre for Research in Arts and Creative Exchange

Research output: Contribution to journal › Article › peer-review

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Abstract

© 2016, Informa UK Limited, trading as Taylor & Francis Group. This is an author produced version of a paper published in THEATRE, DANCE AND PERFORMANCE TRAINING uploaded in accordance with the publisher’s self- archiving policy. The final published version (version of record) is available online at the link below. Some minor differences between this version and the final published version may remain. We suggest you refer to the final published version should you wish to cite from it.

Original language	English
Pages (from-to)	362-374
Journal	Theatre, Dance and Performance Training
Volume	7
Issue number	3
Early online date	31 Oct 2016
DOIs	https://doi.org/10.1080/19443927.2016.1217264
Publication status	Published - 2016

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10.1080/19443927.2016.1217264

From the Flower to MadnessAccepted author manuscript, 283 KB

Cite this

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