Motions in Pictures: From Habermas’s Informal Political Sphere to Formal Politics in the Films Footloose, Land and Freedom and The Beguiled

Jane Thomas; Sean Tunney

doi:10.3390/h13060152

Motions in Pictures: From Habermas’s Informal Political Sphere to Formal Politics in the Films Footloose, Land and Freedom and The Beguiled

Research output: Contribution to journal › Article › peer-review

Original language	Undefined
Journal	Humanities
DOIs	https://doi.org/10.3390/h13060152 https://doi.org/https://pure.roehampton.ac.uk/admin/editor/dk/atira/pure/api/shared/model/researchoutput/editor/contributiontojournaleditor.xhtml
Publication status	Published - 4 Nov 2024

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@article{383823767a204e17a7b839d792f46aa4,

title = "Motions in Pictures: From Habermas{\textquoteright}s Informal Political Sphere to Formal Politics in the Films Footloose, Land and Freedom and The Beguiled",

author = "Jane Thomas and Sean Tunney",

year = "2024",

month = nov,

day = "4",

doi = "10.3390/h13060152",

language = "Undefined",

journal = "Humanities",

publisher = "MDPI",

}

Motions in Pictures: From Habermas’s Informal Political Sphere to Formal Politics in the Films Footloose, Land and Freedom and The Beguiled

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