Nabile Farès et la censure: du silence des mots aux échos des images

Karine Chevalier

doi:10.4000/transtexts.1412

Nabile Farès et la censure: du silence des mots aux échos des images

Translated title of the contribution: Nabile Farès and censorship: from silenced words to visual echoes

Karine Chevalier

Centre for Research in Arts and Creative Exchange

Research output: Contribution to journal › Article › peer-review

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Abstract

This article shows how Nabile Farès fight ideological, historical, linguistic, political, editorial censorships following the Algerian war of Independence. With his auto-censured opaque writing style in which dominate visual and typographic symbolism echoing repressed words, he intends to illustrate and fight against these silencing censorships. His latest graphic novels, in collaboration with the illustrator Kamel Khélif, can be read as an ethical and phenomenological dialogue based on polygraphic/polyphonic voices which testify of the silencing but reveals the echoes.

Translated title of the contribution	Nabile Farès and censorship: from silenced words to visual echoes
Original language	French
Journal	Trasntext(e)s, Trancultures. Journal of Global Cultural Studies
DOIs	https://doi.org/10.4000/transtexts.1412
Publication status	Published - Dec 2020

Keywords

Nabile Fares
censorship

Access to Document

10.4000/transtexts.1412

article final Nabile Fares et la censureAccepted author manuscript, 329 KB

Cite this

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