Abstract
This article compares the poetry of Douglas Dunn of Scotland, and of Howard Fergus of Montserrat. It argues that both poets are “nationalist” and “barbarian” poets promoting cultural and political independence for their homelands by positioning themselves as the marginalised voices of the colonised. It concludes with an examination of whether or not Dunn and Fergus are postcolonial poets.
| Original language | English |
|---|---|
| Pages (from-to) | 377-388 |
| Number of pages | 12 |
| Journal | FORUM FOR MODERN LANGUAGE STUDIES |
| Volume | XL |
| Issue number | 4 |
| Publication status | Published - 2004 |
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