Abstract
A study of Chris Marker's 2005 video-installation 'Owls at Noon Prelude: The Hollow Men' in light of [a] its relationship to TS Eliot's poem The Hollow Men and [b] the idea of the 'poetic image' in Marker's work. Commissioned by the Cinematheque Francaise as one of thirty essays published in the accompanying catalogue for the major Cinematheque exhibition 'Chris Marker', at the Cinematheque Francaise, Paris, 2 May - 29 July 2018, and the Palais des Beaux-Arts, Brussels, 19 September 2018 - 6 January 2019.
| Translated title of the contribution | What Images Return:: Owls at Noon Prelude: The Hollow Men |
|---|---|
| Original language | French |
| Title of host publication | Chris Marker |
| Editors | Raymond Bellour, Jean-Michel Frodon |
| Place of Publication | Paris France |
| Publisher | Cinematheque Francaise |
| Pages | 346-9 |
| Number of pages | 4 |
| ISBN (Print) | 978-2-330-01569-5 |
| Publication status | Published - Jul 2018 |
Keywords
- Chris Marker Exhibition