Quelles images reviennent: Owls at Noon Prelude: The Hollow Men

Translated title of the contribution: What Images Return:: Owls at Noon Prelude: The Hollow Men

    Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review


    A study of Chris Marker's 2005 video-installation 'Owls at Noon Prelude: The Hollow Men' in light of [a] its relationship to TS Eliot's poem The Hollow Men and [b] the idea of the 'poetic image' in Marker's work. Commissioned by the Cinematheque Francaise as one of thirty essays published in the accompanying catalogue for the major Cinematheque exhibition 'Chris Marker', at the Cinematheque Francaise, Paris, 2 May - 29 July 2018, and the Palais des Beaux-Arts, Brussels, 19 September 2018 - 6 January 2019.
    Translated title of the contributionWhat Images Return:: Owls at Noon Prelude: The Hollow Men
    Original languageFrench
    Title of host publicationChris Marker
    EditorsRaymond Bellour, Jean-Michel Frodon
    Place of PublicationParis France
    PublisherCinematheque Francaise
    Number of pages4
    ISBN (Print)978-2-330-01569-5
    Publication statusPublished - Jul 2018


    • Chris Marker Exhibition

    Cite this