Abstract
This piece of writing elaborates some of the form and affects of the choreographic work it discusses, a piece called Count Two (2010) by Nicola Conibere. In doing so it engages the potentials of retrospective critical reflection for extending the thinking at work in a live performance, whilst invoking some degree of embodied engagement with formal and expressive exploration. The approach was one of organising words on a page a bit like bodies on a stage, an exercise that articulates the shared practices of choreographer and writer as putting things in relation.
Same Difference is a chapter in the edited collection 'The Creative Critic - Writing as/about Practice' edited by Katja Hilevaara and Emily Orley.
Same Difference is a chapter in the edited collection 'The Creative Critic - Writing as/about Practice' edited by Katja Hilevaara and Emily Orley.
Original language | English |
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Title of host publication | The Creative Critic |
Subtitle of host publication | Writing as/about Practice |
Editors | Emily Orley, Katja Hilevaara |
Place of Publication | Oxford New York |
Publisher | Routledge |
Pages | 73-80 |
Number of pages | 8 |
ISBN (Electronic) | 978-1-315-56105-9 |
ISBN (Print) | 978-1-138-67483-7, 978-1-138-67482-0 |
Publication status | Published - 2018 |
Keywords
- Choreography, Performance
- Practice as Research
- dance
- Replication
- Repetition