SAMUEL BECKETT, ALAIN RESNAIS AND FRENCH MODERNIST CINEMA

Anthony Paraskeva

doi:10.1093/fmls/cqt024

SAMUEL BECKETT, ALAIN RESNAIS AND FRENCH MODERNIST CINEMA

Research output: Contribution to journal › Article › peer-review

Abstract

This article situates Beckett within the context of the French modernist cinema of the 1960s, with a particular focus on the overlaps between Alain Resnais's L'Annee derniere a Marienbad, which Beckett saw on its release in 1962, and the film of Comedie,

Original language	English
Pages (from-to)	30-39
Journal	FORUM FOR MODERN LANGUAGE STUDIES
Volume	50
Issue number	1
DOIs	https://doi.org/10.1093/fmls/cqt024
Publication status	Published - 2013

Access to Document

10.1093/fmls/cqt024

http://dx.doi.org/10.1093/fmls/cqt024

Cite this

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