SAMUEL BECKETT, ALAIN RESNAIS AND FRENCH MODERNIST CINEMA

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Abstract

This article situates Beckett within the context of the French modernist cinema of the 1960s, with a particular focus on the overlaps between Alain Resnais's L'Annee derniere a Marienbad, which Beckett saw on its release in 1962, and the film of Comedie,
Original languageEnglish
Pages (from-to)30-39
JournalFORUM FOR MODERN LANGUAGE STUDIES
Volume50
Issue number1
DOIs
Publication statusPublished - 2013

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