Abstract
Exploring the conditions and desire for political documentary at the present conjuncture, drawing on the author’s experience as a London-based freelance documentarist since the 1970s and especially, since the turn of the millennium, making documentaries from a base within academia.
© 2019, Informa UK Limited, trading as Taylor & Francis Group. The attached document (embargoed until 01/05/2021) is an author produced version of a paper published in STUDIES IN DOCUMENTARY FILM uploaded in accordance with the publisher’s self- archiving policy. The final published version (version of record) is available online at the link. Some minor differences between this version and the final published version may remain. We suggest you refer to the final published version should you wish to cite from it.
© 2019, Informa UK Limited, trading as Taylor & Francis Group. The attached document (embargoed until 01/05/2021) is an author produced version of a paper published in STUDIES IN DOCUMENTARY FILM uploaded in accordance with the publisher’s self- archiving policy. The final published version (version of record) is available online at the link. Some minor differences between this version and the final published version may remain. We suggest you refer to the final published version should you wish to cite from it.
| Original language | English |
|---|---|
| Pages (from-to) | 196-213 |
| Number of pages | 18 |
| Journal | Studies in Documentary Film |
| Volume | 13 |
| Issue number | 3 |
| Early online date | 31 Oct 2019 |
| DOIs | |
| Publication status | Published - 2019 |
Keywords
- Documentary
- aesthetic labor
- cultural production
- digital video
- immaterial labor
- political documentary
- video activism
