‘The music of recognition: the recognition of music again’

Rachel Darnley-Smith

‘The music of recognition: the recognition of music again’

Department of Psychology

Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

Abstract

In this paper I develop an idea adapted from Benjamin (1990) about the significance of mutual ‘recognition’ as a performative agent in the experience of shared music making in therapy. I will consider the role of music therapy in providing an opportunity for relationship where the client is in the late stages of dementia together with the notion of ‘recognition’ as a paradigm for building meaning within this relationship. I consider how this particular phenomenon of shared experience has profound resonance for a contemporary music therapy practice transgressing some of the assumed boundaries between existent clinical approaches.

Original language	English
Title of host publication	Unpublished Invited Seminar Paper
Publication status	Unpublished - 1 Oct 2019

Keywords

Music Therapy
Dementia
Winnicott
Recognition Theory

Cite this

Darnley-Smith, R. (2019). ‘The music of recognition: the recognition of music again’. Unpublished. In Unpublished Invited Seminar Paper

@inproceedings{9dc3f6a142874a7280d081f2d0deff2f,

title = "{\textquoteleft}The music of recognition: the recognition of music again{\textquoteright}",

abstract = "In this paper I develop an idea adapted from Benjamin (1990) about the significance of mutual {\textquoteleft}recognition{\textquoteright} as a performative agent in the experience of shared music making in therapy. I will consider the role of music therapy in providing an opportunity for relationship where the client is in the late stages of dementia together with the notion of {\textquoteleft}recognition{\textquoteright} as a paradigm for building meaning within this relationship. I consider how this particular phenomenon of shared experience has profound resonance for a contemporary music therapy practice transgressing some of the assumed boundaries between existent clinical approaches.",

keywords = "Music Therapy , Dementia, Winnicott, Recognition Theory",

author = "Rachel Darnley-Smith",

year = "2019",

month = oct

day = "1",

language = "English",

booktitle = "Unpublished Invited Seminar Paper",

}

TY - GEN

T1 - ‘The music of recognition: the recognition of music again’

AU - Darnley-Smith, Rachel

PY - 2019/10/1

Y1 - 2019/10/1

N2 - In this paper I develop an idea adapted from Benjamin (1990) about the significance of mutual ‘recognition’ as a performative agent in the experience of shared music making in therapy. I will consider the role of music therapy in providing an opportunity for relationship where the client is in the late stages of dementia together with the notion of ‘recognition’ as a paradigm for building meaning within this relationship. I consider how this particular phenomenon of shared experience has profound resonance for a contemporary music therapy practice transgressing some of the assumed boundaries between existent clinical approaches.

AB - In this paper I develop an idea adapted from Benjamin (1990) about the significance of mutual ‘recognition’ as a performative agent in the experience of shared music making in therapy. I will consider the role of music therapy in providing an opportunity for relationship where the client is in the late stages of dementia together with the notion of ‘recognition’ as a paradigm for building meaning within this relationship. I consider how this particular phenomenon of shared experience has profound resonance for a contemporary music therapy practice transgressing some of the assumed boundaries between existent clinical approaches.

KW - Music Therapy

KW - Dementia

KW - Winnicott

KW - Recognition Theory

M3 - Conference contribution

BT - Unpublished Invited Seminar Paper

ER -