THE TRANSFORMATION OF CARICATURE: A READING OF GILLRAY'S THE LIBERTY OF THE SUBJECT

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    Abstract

    James Gillray's The Liberty of the Subject (1779) introduced a new Visual power and sophistication into English caricature. At first sight the print appears to be an ambivalent response to press-ganging, depicting both victims and oppressors in a grotesqu
    Original languageEnglish
    Pages (from-to)223-
    JournalEIGHTEENTH-CENTURY STUDIES
    Volume43
    Issue number2
    Publication statusPublished - 2010

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