Abstract
James Gillray's The Liberty of the Subject (1779) introduced a new Visual power and sophistication into English caricature. At first sight the print appears to be an ambivalent response to press-ganging, depicting both victims and oppressors in a grotesqu
Original language | English |
---|---|
Pages (from-to) | 223- |
Journal | EIGHTEENTH-CENTURY STUDIES |
Volume | 43 |
Issue number | 2 |
Publication status | Published - 2010 |